Even the symbols have changed in a time of life in the woods that leads you to remove and lighten yourself from superfluous things. There are no more rabid dogs, teeth, cries, clouds, rain or skeletons which borns from the impossibility of expressing one's emotions in the best possible way; here comes the moment when a bird-man soars lightly from the cage. The figures strongly marked and scratched on the paper become lines because it is precisely in the minimum that you find reality, certainty, what you need. Remove and lighten your thoughts, strip and lighten even the symbols. The new images, like in a new cave in Lascaux, no longer have words, but signs, there are lines no longer symbols. Threats have vanished and the passage of being a child as a dreamer, who wants more dreams, more hope, desire for simplicity, is manifested with a new imaginary. In this sense, the symbol of the bird-man is there to testify that one is no longer afraid to take flight. It's freedom, being light. Then we find a flock of birds, friends, with whom we can fly together while keeping our course without feeling inferior because we are all needed and we all contribute to the direction to be given to our lives.

Words are no longer needed. Words are boulders.
 

They are a terrible sound and, if repeated, even if it's not someone else that tells you them, even if you repeat them to yourself, they convince you in the for better or for worse, and for Nicolò it would be better to avoid them.
 

Take the present. Stay in the present
 

The words from accusations and screams scratched on the paper become poetry and writing and the sense of ut pictura poesis is recovered, which literally translated means "as in painting so in poetry" as used by Quinto Orazio Flacco in his Ars Poetica. In the Latin world the meaning of this statement is that painting is a silent poem and poetry a speaking painting which in Nicolò becomes the need to create connections and links between multiple artistic languages and to ensure that these connections act as a "mother yeast" generative that gives structure and form to a constellation of collaborations that hold together different forms of creativity. Poems are born from his pictorial works, which are then set to music becoming songs that inspire new developments in a flow that gives life to an innovative trend, to a need that looks intuitively and spontaneously at the theory of the creative impulse of Henri Bergson in where the internal strength of each becomes openness to the world to trace new paths of expressive research. From this spiral that constantly grows, starts a moment in which there is an action that changes the status quo: that change determines a series of further changes that fit into a harmonious flow, becoming an engine of growth and a creative engine for many more things to come. This mode shows what the main element can be, the right alchemy to grow in diversity.